“If You Have Another Hobby, Take That Up”: The Thrillers of Harrison Arnston
by Ben Boulden
Harrison
Arnston – Harry to his friends and pretty much everyone else – wrote
nine published novels between 1987 and 1994. The critic Jon L. Breen, in his Armchair
Detective column “Novel Verdicts,” called Arnston’s 1991 legal thriller, Act
of Passion, “unusually well plotted” with a trial that “is expertly covered…with
some terrific Q-and-A along the way.” Arnston followed Act of Passion with
another excellent legal thriller, Trade-Off, in 1992, but his work wandered
across the genre in unexpected ways. He turned the 1991 techno-thriller The
Big One – where a super-secret government agency is covering up a new
discovery for predicting earthquakes – into an enjoyable and outlandish detective
story, and The Venus Diaries, Arnston’s final published novel, is a swift
tale about an extraordinarily beautiful and effective assassin for hire, raised in
post-World War 2 France by an embittered veteran of the communist partisans.
Harry’s
widow, Theresa Sandberg-Arnston, told the St. Petersburg Times, that he began
writing a novel when he was 21, but life and work encroached, and it was never
finished. Arnston founded a successful “auto-accessory company” in Toronto,
Canada, which was later relocated to California. He sold the company in 1984 and
retired to Palm Harbor, Florida “to pursue his dream of becoming a novelist.” After
completing his first novel manuscript, an agent told him, “If you have another
hobby, take that up,” but Arnston ignored the advice and kept writing. His
third effort, The Warning, was purchased by Zebra Books and released as a
paperback original in 1987. Over the next seven years two publishers – first Zebra and
then Harper – issued another eight paperback originals by Harrison
Arnston.
According
to Theresa, during his lifetime Arnston saw his books “published in 17
countries, including China, Japan, France, Germany, Italy and Lithuania.” But he
never forgot that agent’s cranky response to his first manuscript. As a kind of
cheery revenge, Arnston sent each of his books to the agent as they were
released. It was Arnston’s way of turning a discouraging interaction with an industry
professional, which could have wrecked his writing dreams, into a mischievous
incentive, which fits with what Theresa told the St. Petersburg Times in
1996: “[Harry] had the greatest sense of humor. He could find something
positive in anything.”
His
early stuff, especially the first three Zebra titles – The Warning,
Death Shock (1988), and Baxter’s Choice (1988) – relied on paragraphs
of dialogue to advance the plot, but his writing steadily improved, and the four
novels published by Harper in the 1990s – Act of Passion, Trade-Off, The
Third Illusion (1993), and The Venus Diaries – were markedly better in
both style and plotting. After reading The Third Illusion, I contacted
Arnston and told him, “I loved it” and was looking forward to reading Baxter’s
Choice since both books shared a hero, David Baxter. Arnston’s response was
honest: “I’ve learned a few tricks since writing Baxter’s Choice and
it’s not a book you need to track down.”
Act of Passion – discussed more fully
above – is a fine example of a legal thriller where a mistreated wife is
accused of murdering her unfaithful husband. The courtroom scenes are top-notch
and while the ending isn’t a big surprise, it doesn’t matter because the story comes
together so nicely. Arnston’s next effort, Trade-Off, which is his only
other legal thriller, came out a year later. Laura Scott is a public defender facing
a nasty divorce in her personal life and defending a drifter, John Slocum, accused
of murdering a well-liked teenage girl in her professional life. What she discovers
while defending Slocum changes everything she knows about justice. The
characterization is a touch better than that of Act of Passion,
especially Laura, and the plotting is just as strong. Arnston’s use of Central
Florida’s suffocating summer heat – “a steaming Friday night in August” – as an
uncaring emotional antagonist is both effective and different from his earlier
work.
In The
Third Illusion, David Baxter is hiding from his enemies – a terrorist group
is trying to kill him for past transgressions – in a California mountain town.
Baxter is outed when a politically ambitious millionaire tracks him down and
asks for his help finding his missing daughter. Baxter’s angry about his
comfortable life being exposed, but he reluctantly accepts the job and soon
finds more going on than a missing daughter and a concerned father. Publishers
Weekly called The Third Illusion “[an] improbable but fast-paced
formula novel,” which is true. But there is also tight plotting, a couple of well-placed
surprises to keep it interesting, and a well-concocted and satisfying bit of techno-style
justice.
Arnston’s
final novel, The Venus Diaries, is a sleek and entertaining thriller
about greed, old grudges, and a beautiful assassin named Josephine. Its roots
are in the Second World War’s French resistance, but it plays out in the
America of 1994. The characterization is limited but adequate for a thriller,
the pacing is strong, and the plotting is precise. According to Theresa, Arnston
was dissatisfied with the published version of The Venus Diaries because
of the changes his editor at Harper wanted. Harry felt “the book lost a lot of
punch” because the editor required “the bad guys” be changed from Russians –
the Soviet Union had recently fallen – to French. Theresa continued, “No one
likes the French, I guess.”
As
enjoyable as Arnston’s books are to read, his most lasting influence may have
been as a writing coach and mentor. In the late-1980s and early-1990s, Arnston gave
writing advice – from nuts-and-bolts craft to finding agents – on the Prodigy Online
Service, which was a pretty cool precursor to the internet. He had his own “board”
on the service, called Harry’s Bar & Grill. In an email, Theresa wrote,
“The Prodigy years were some of his happiest” because he loved sharing what he
knew with other writers. This enjoyment can be seen in his dedication to The
Third Illusion: “For my pals on PRODIGY.”
In the
mid-1990s, Arnston published a free writing guide online titled, Novels 101,
which was an edited compendium of his posts on Harry’s Bar & Grill. Arnston
also “lectured” – according to the St. Petersburg Times – “at the
University of Georgia.” He taught at the South Coast Writers Conference “and
participated in the Times Festival of Reading…at Eckerd College [in St.
Petersburg, Florida].” Arnston was involved with professional writers’ organizations,
too. He co-founded the Florida Chapter of Mystery Writers of America in 1992
and served as the organization’s “vice president for two years and published
its newsletter.” But, Theresa noted, “[Harry’s] other legacy was to me.” He
taught Theresa “to write” and she went on to publish “five books under the pen
name Catherine Arnold.” Arnston edited the first Catherine Arnold novel, Due
Process (1996), and he likely wrote the final Arnold novel, Journey
(2003) – see “a little more about Harrison Arnston…” below for more about this.
Harrison
Deroche Arnston died eight weeks after being diagnosed with lung cancer, on
February 2, 1996, at the H. Lee Moffitt Cancer Center in Tampa, Florida. He was
59 years old. He was born to Joseph H. Arnston and Dorothy V. Tierney in
Toronto, Canada on September 19, 1936. Arnston enlisted in the Royal Canadian
Air Force “before graduating from high school” and served for five years. He
never attended college, which didn’t seem to hinder his success in either
business or writing. According to the St. Petersburg Times, Arnston’s
only formal writing instruction came from “a creative writing class…at
Countryside High School” in Clearwater, Florida. Arnston lived in Canada, Michigan,
Costa Mesa, California, and Palm Harbor, Florida. He became a naturalized U.S.
citizen in 1987; the same year his first novel, The Warning was released
by Zebra Books. According to Theresa, “[Harry] was from Toronto, Canada but
proud to be an American citizen.” He married the love of his life Theresa A.
Sandberg – “who taught me how to love again” – on October 22, 1988.
a little more about Harrison
Arnston… ·
Theresa
Sandford-Arnston wrote four legal thrillers featuring lawyer Karen
Perry-Mondori – Due Process (1996), Imperfect Justice (1997), Wrongful
Death (1999), and Class Action (1999) – using the nom de plume Catherine
Arnold. A fifth novel, Journey, as by Catherine Arnold, was
published in 2003. Arnston’s St. Petersburg Times obituary (4 Feb.
1996) identified Journey as a completed manuscript by Harrison
Arnston, which his agent was trying to sell at the time of his death. So, it
is likely Journey is actually Arnston’s final published novel rather
than The Venus Diaries. ·
There
is at least one completed and unpublished Arnston manuscript: American
Terrorist. According to Theresa, in a 2008 email: “I tried to sell it but no one was
interested in publishing a deceased author; no more manuscripts to come and
they felt the subject was too frightening – blowing up the capital in
Washington D.C.” Adding credibility to the idea that
Arnston wrote Journey – but was published as by the more marketable
(at that time) Catherine Arnold – Theresa told the St. Petersburg Times in
a 2001 interview that she was attempting to sell American Terrorist as
by Catherine Arnold: “Sandberg-Arnston is trying to market a
book called American Terrorist. It is a deviation from her series. The
protagonist was taken from a bit character in one of her husband’s books.”
·
Arnston
wrote the novelization of the underwhelming Madonna film, Body of Evidence
(1992). The book’s title was changed to Deadly Evidence to
differentiate it from Patricia Cornwell’s bestselling Kay Scarpetta novel, Body
of Evidence, published in 1991. According to Theresa, he “hated [Deadly
Evidence] with a passion.” ·
Arnston’s
article about mysteries and mystery writers in Florida in the 1990s, titled
“The Florida Mystery Scene,” was included in The Fine Art of Murder: The
Mystery Reader’s Indispensable Companion, edited by Ed Gorman, Martin H.
Greenberg, Larry Segriff, with Jon L. Breen (Carroll & Graf, 1993). ·
Arnston’s
title for Death Shock (Zebra, 1987) was Wiseman’s Last Case. In
a 1988 interview with the St. Petersburg Times, Arnston “said he set
out to write a book about the dope business, to show that even important
people – ‘people with secrets in their head’ – can get hooked on cocaine,
with tragic results.” The same article provided Arnston’s per unit royalty payout
for Death Shock: $0.24 for each $3.95 book sold, which is roughly a
6-percent royalty rate. ·
Theresa
is quoted in The St. Petersburg Times as saying, “He was fortunate and
he loved every minute (of his writing). He was the most disciplined person I
knew. To be able to sit down at the word processor . . . when it flowed, he’d
work 10 hours.” ·
Theresa
Sandford-Arnston died December 22, 2016. According to her obituary in the Tampa
Bay Times: “Theresa was born August 14, 1939 in
Brooklyn, NY, the daughter of Joseph and Theresa Sicignano… She was a
graduate of St. John’s University School of Pharmacy and School of Law.” Harrison
Arnston’s Bibliography… The Warning (Zebra Books, Dec. 1, 1987) Death Shock (Zebra Books, June. 1, 1988) Baxter’s Choice (featuring David Baxter; Zebra Books, Nov. 1, 1988) The Big One (Zebra Books, Dec. 1, 1989) Act of Passion (HarperPaperbacks, Feb. 1, 1991) Trade-Off (HarperPaperbacks, Mar. 1, 1992) Deadly Evidence (novelization for the film, Body of
Evidence; HarperPaperbacks, Feb. 1, 1993) The Third Illusion (featuring David Baxter; HarperPaperbacks, Mar. 1, 1993) The Venus Diaries (HarperPaperbacks, Jan. 1, 1994) “Novels 101” (online, mid-1990s) Journey (published as by Catherine Arnold,
but it was likely written by Arnston; iUniverse, Sep. 17, 2003) American Terrorist (unpublished; written in the
mid-1990s) |
Sources:
Arnston, Harrison, Death
Shock, Zebra, 1988
Breen, Jon L., “Novel
Verdicts,” The Armchair Detective, Fall 1991 (v24, n4)
Farley, Robert, “Writer
Hopes Novels Just Prologue,” St. Petersburg Times, 22 Jan. 2001
Heaton, Paul, “Author Keeps
Thriller Close to Hometown,” St. Petersburg Times, 4 June 1988
Pelamati, Lisa, “‘Harry’
Arnston, dies at 59, writer of mystery novels,” St. Petersburg Times,
4 Feb. 1996
Publishers
Weekly, “The Third Illusion by Harrison Arnston,” 1 Mar. 1993
Sandberg-Arnston, Theresa,
email to Ben Boulden, 26 Jan. 2008
Sandberg-Arnston, Theresa,
email to Ben Boulden, 31 Mar. 2008
Sandberg-Arnston,
Theresa, (obituary), Tampa Bay Times, 25 Dec. 2016
U.S. Social Security Death Index, 1935-2014
Copyright © 2022 by Ben Boulden / All Rights Reserved
If you knew Harrison Arnston or Theresa Arnston, please leave a comment or contact me at zulu1611@yahoo.com. I would love to hear your stories. I’m also interested in finding a copy of Arnston’s “Novels 101,” so, if you have one... |
Very interesting and great research. I didn't know anything about him.
ReplyDeleteThanks, Bob. Arnston is one of those writers I discovered at the right time (as a teenager interested in writing) and while his earlier work doesn't hold up over the passing years, I still go back reread his last four novels every so often.
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