Booked (and Printed): May 2024


Reading was a struggle in May. I read four books and two short stories: three mystery novels and a terrific single author story collection, Mixology: Science Fiction Stories, by William Campbell Gault. My reading tends to decline during the summer months but part of the reduction in May came from sore eyes—it was a struggle some days to keep my eyes on the page and it was nearly impossible to read a mass market paperback with small or even smallish print. I have an appointment with an ophthalmologist in July; with a little luck we’ll get that taken care of. So, now to what I did read…

Man in the Water, David Housewright’s 21st Rushmore McKenzie mystery, clocked in as my favorite of the month. It is a laid-back tale about murder, fraud, and a drowning man. McKenzie is his usual funny, tough, knight-errant self, which, along with the vivid Minnesota settings, is what makes these books special. You’ll be seeing my review on Mystery Scene’s website later in June. The other two novels—Snowjob, by Ted Wood, and The Territory, by Tricia Fields—were disappointing. Although it is possible my blistering eyes made me grumpy and both are actually top-notch genre pieces. Since these were both first time authors for me, I’ll likely try another of their books because one never knows.

I started and didn’t finish one title, Cape Rage, by Ron Corbett, for the simple reason it was darker than my mood wanted. If I were a betting man—and I’m not because gambling is for suckers or perhaps people smarter than me—I’d bet I’ll get back to Cape Rage later in the year.  

Both of the short stories I read were excellent. L. J. Washburn’s historical mystery, “Lynching in Mixville,” is a hardboiled Lucas Hallam tale with a special appearance by silent-era film star Tom Mix. I wrote more about this one here. “This Gun for Hire,” by Jack Ritchie—which I read in the July 1989 issue of Ellery Queen’s Mystery Magazine—is a clever and surprising take on the hitman story. Mixology: Science Fiction Stories, by William Campbell Gault, collects three stories; two novelettes and a short. These tales showcase what Gault is known for—mixing genres, tight plotting, and tossing ethical dilemmas around like it’s easy. Take a look at what I wrote about Gault and this collection here.

Fin

Now on to next month.

 


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